Words by Rice, building by Piano

Magnet #1050 - Times Square/42nd Street

I once fell into the N/R/W/Q subway tracks in the Times Square/42nd Street station. This is not that magnetpost.

I'm just using it for today, because I just got back from Times Square, and seeing the Sir Tim Rice and Friends performance.

I've been looking forward to this event, mostly because of my obsession with watching all of those (very late to the U.S.) BBC/BBC-A, Andrew Lloyd Webber reality shows casting parts in the West End's Joseph and the Amazing Technicolor Dreamcoat and Sound of Music, then Wizard of Oz, and now Oliver! So when I didn't see any of Rice's work with ALW on the program, I was a little sad.

But, it was quickly explained by the funnier than I'd have expected Tim Rice, that the evening was being devoted not so much to him, but to Disney on Broadway's songbook. Being a Disney fan, color me sooo not disappointed!

And it was so much fun!

After Sir Tim did a tongue-in-cheek reading of all the not-so-great NYTs reviews of Disney shows, we were treated to fantastic numbers sung by seven original cast members of Beauty and the Beast, The Lion King, AIDA, Tarzan, Mary Poppins, The Little Mermaid, and King David (which you've likely never heard of, but the two numbers from it were fabulous, so I hope we will hear of them again).

The first song was Be Our Guest, and all I could think of was that it sure did not sound like when my sisters and I play Wii Disney Sing It. And for the whole song, all I could think was man, I bet that dude would rock out on Wii. What? It's true.

From then on, it was quite amazing watching these Disney vets as they performed their songs without sets, without costumes, with a two-piece musical accompaniment...and still they managed to place us in every single show. Maybe because it was on such a small stage, and we were all so close up, but it was truly uncanny how I felt like I was watching Belle and Mary Poppins and Rafiki and Ariel, and shoot, even Tarzan. In street clothes.

And now I finally understand what ALW and all the judges were trying to teach all those reality contestants - how to act out a song, feel the emotions, connect with the words. I had pooh-poohed that criticism, before but honestly, I got a little goosebumpy listening to several of the songs tonight. I guess that's how the pros do it.

But wait. There's more!

Last week, I used a magnetquote by architect Renzo Piano, where I surprised myself with all of the Piano museums/additions I'd been to. Tonight's NYTs Arts & Leisure Weekend event was held at TimesCenter, at Piano's New York Times building just off of Times Square.

I've been to TimesCenter before, but hadn't realized just how ingeniously multi-use they've managed to make this building. While I was sitting in the audience of a state-of-the-art, 378-seat auditorium, through the stage backdrop glass, I was able to see New York Times employees leave their office space across the indoor courtyard, dinner patrons dining at the gorgeous Montenapo Restaurant, and a chick shopping at supercool Muji.

All that, and, it didn't take away from my enjoyment of the incredible performances of Sir Tim Rice's merry band of friends.

Pretty. Damn. Cool.

Losing one's head

Magnet #1041 - Renzo Piano Museum Quote

Ya'll know I love my architecture. Ya'll know I love my museums. In Renzo Piano, I have a double-double!

Ask anyone and they'll tell you that Italian architect Renzo Piano is one of the premiere museum designers in the world.

I've now seen his work at the Art Institute of Chicago, the Morgan Library in New York, Centre Pompidou in Paris, and the Menil Collection and Cy Twombly Gallery in Houston.

Sadly, my timing was off to see the full renovation for the High Museum of Art in Atlanta and the forthcoming work at the Isabella Stewart Gardner Museum in Boston.

I've yet to see anything of his that I don't like, but one wonders if it's because I'm just partial to museums in general.

Anyway, I picked this magnet up last week at yet another museum, the National Building Museum here in Washington, DC. Yes, I've been there before, and even blogged about it before, but they have some really great exhibits.

Currently, they have the Lego Architecture exhibit that I saw over at Chicago's Museum of Science and Industry a couple of summers ago and a really interesting Palladio exhibit. They also have an ongoing Washington Symbols of Power exhibit, that I wish they'd add a panel to for the WWII Memorial story.

But, the piece de resistance for me and this museum right now, is their World's Fair exhibit, focusing on the America's World's Fairs held in the 30s. I rushed through it quickly last week, and then took a docent tour right afterward. But now, I'd like to go back this week to actually take my time walking through it. And that's when I'll actually do the magnet for it.

For now, Renzo Piano's words ring true for me - museums for me in the last several months have proven the places where I can definitely lose my head. Wandering around the hallowed halls of knowledge, art and history has been a soothing avocation to my usual daily job hunting.

Flying carpet ride

Magnet #675 - The Modern Wing

I picked this up in Chicago - love when I can get image magnets of the actual museum. Of course, it's cool when the building's so darn cool to merit a magnet, I guess.

If ever you're hanging out in Chicago with a spare few hours, definitely go see the Modern Wing of the Art Institute of Chicago. It's one of the biggest museum projects in years, and likely to be one of the last on this grand of a scale for a while.

Go for the art, but go for the building, too, which was designed by famed museum architect Renzo Piano.

Remember how I was talking about artists' visual vocabulary? To my untrained eye, I think that it's the same thing with architects. As I learn more about each architect, I'm starting to recognize the telltale hallmarks of their respective work.

For example, I visited the Morgan Library for the first time a few weeks ago and just by looking at around, I totally knew who did the addition before I even Googled it. It probably has more to do with the fact that I'd been watching the progress on the Modern Wing for months before it opened, and also, because Piano's designed several buildings that I've both seen and visited recently, including the Morgan and the relatively new New York Times Building, both buildings with a lot of glass and steel.

Rather than solid, closed exterior walls, his work seems to always have this slatted look of steel and glass - allowing for as much light through as possible, making the interior space seem brighter and bigger, lighter and airy. That slatted look extends to his ceilings - where they create this sort of flying-carpet kind of canopy above.

Though the existing museum space, was no slouch, The Modern Wing was no exception - I loved it, from the main hall, to the staircases, to the overlooks, and terrific interiors. A fantastic space - and well befitting all the supercool artwork they're exhibiting.

Modern isn't boring

Magnet #527 - Seurat's A Sunday on La Grande Jatte, 1884

Yay, I finally got to visit the Art Institute of Chicago!!

I loved every minute of it - even when we got lost and had to pass the same little elephant statue in the Asian art gallery four times. There was entirely too much to see in one day, let alone half a day. Though, detours and funny layouts made for a heck of a lot of walking around!

After reading so much about Renzo Piano's new Modern Wing, I was happy for the chance to check it out myself - yes, there's a separate magnet for that.

Dudes - most of what we saw today, I haven't seen in person - from Hockey's Collectors and Ruscha's City to Motley's Nightlife to architectural drawings by Louis H. Sullivan and Louis I. Kahn and Mies van der Rohe, and remants of reliefs and doors and windows saved or scavenged from various buildings around town. Good gravy, I could spend days there.

The AIC had a few Monet magnets that I've blogged on - the Artist's house at Argenteuil, and of course, different versions of his haystacks, and his Japanese footbridge at Giverny. But, they also had an extraordinary number of his paintings that I've never seen - ever. Which is just fantastic, if you've scoured the eastern hemisphere for all the magnets Monets you can possibly see.

The AIC collection also includes the final Sunday on La Grande Jatte that was submitted for the 1886 Impressionists Exhibition. I actually bought this magnet in NYC, because I've been visiting the piece at the Met for years. Of course, now I have to go read the back of the magnet, or pop on by the Met to verify, but, from what I can tell, the Met has one of the 50 studies he did for that final piece. Who knew?

Honestly, while I'm glad to have seen it here in town, I'm slightly annoyed that what we have at the Met is a study. (But then again, I also have issues with all the various Monet haystacks and lillies running around this giant Earth.)

Anyway, I've uploaded the unedited, somewhat haphazard (for now) FB album for the AIC and the supercool Millennium Park, sans any real captions yet.

Enjoy. Then, get your bums to the AIC and have a looksee for yourself. You won't be sorry.